THE TECHNICAL ANALYSIS OF ILYAS MIRZAYEV'S CONCERTO FOR NEY AND ORCHESTRA

In this study, a technical analysis of Ilyas Mirzayev's work titled "Concerto for Ney and Orchestra" has been conducted. Within the scope of the research, the form structure, orchestration, and harmonic features of the piece were examined in detail using descriptive research methods and content analysis. Themes, motifs, and structural elements were evaluated to reveal the composer's musical approach. Ilyas Mirzayev studied at the Moscow Conservatory with notable composers such as Alfred Schnittke and Edison Denisov, developing a unique style that blends Eastern and Western art music. His works have been performed by major orchestras worldwide, combining traditional instruments with modern musical forms.

“Concerto for Ney and Orchestra” holds the distinction of being the first concerto composed for ney and orchestra in Turkish music. Consisting of three movements, each part of the work builds a bridge between Eastern and Western art music by utilizing traditional melodies and forms. The first movement is based on a theme constructed upon Dede Efendi’s “Ferahfeza” scale, the second movement is founded on the folk song “Naz Barı”, and the third movement takes inspiration from the Azerbaijani folk dance “Elmas”. In the piece, the harmonious integration of the ney instrument with the orchestra has enhanced musical diversity and cultural richness. The analysis concluded that the composer successfully fused elements of traditional Turkish and Azerbaijani music with Western music's harmony and form. This work presents an important example of how traditional music can be used harmoniously with modern musical forms. In conclusion, Ilyas Mirzayev’s concerto makes a significant contribution to the music literature with its innovative approach that brings together the aesthetic values of Eastern and Western art music.

Keywords

Concerto, Ilyas Mirzayev, Ney, Technical Analysis